She felt like assuming a new identity was necessary to distance herself from her past. “The ad-libs at the end are what everybody references.”īut there’s a twist: The single is not credited to Renea instead, she has climbed the charts as Muni Long. “Funnily enough, the runs on this song are what everyone loves,” the singer says. “Hrs and Hrs” hit Number Two on Apple Music’s daily chart recently, and it’s high on the Spotify Viral 50 as well. The answer from many listeners appears to be an emphatic yes. “I don’t usually do this,” Renea warns during a brief spoken intro. She announces her intention right at the start of the song, first through corkscrewing, wordless lines, then through a question. ![]() The track feels like a refutation of all those years when she felt she needed to hold back her voice. There’s not much that’s dry and bland about Renea’s “Hrs and Hrs,” a decadent R&B ballad - shot through with honeyed, high-wire runs, acrobatic ad-libs, and references to three different kinds of showers (champagne, thunder, traditional) - that went viral over the holidays. “You sing straight, dry, bland, hit the note, give me a little character, and get out.” “Being a pop writer in L.A., they don’t want to hear runs,” Renea explains. “You don’t show up trying to be the star.” When working on demo tracks to pitch to artists, she makes sure to tone down her singing as well, wary of intimidating a potential buyer. ![]() In studio sessions, “You are just there to assist” an act, she says. As a longtime pop songwriter, Priscilla Renea is familiar with the need to adapt to the demands of the music industry.
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